I first came to Turkey over 20 years ago on a summer trip with my family, and during that time, not only did I fall in love with Turkey, but also with the mannequins in the country. It might be a strange thing to focus on in a place with so many other amazing sites, but I was immediately drawn to how people here used the human form sometimes thoughtfully, and sometimes without care.

I found there was art and humor to how people used mannequins (either intentional or not) from the ways they were displayed, to how they were transported and discarded.

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My obsession hasn’t subsided since then – I have been documenting the mannequins around the region since I moved from New York to Cairo over ten years ago, but by far the Turkish mannequins have the most range, color, and intention. Now having lived in Istanbul for the past four years, I have accumulated a lot of wonderful images that I hope at some point to convert into a book. I also love that all of my friends now know my love of this subject and will send me pictures of mannequins that they find worldwide. If you’d like to send me some of your favorite mannequin pics, please follow me on Instagram @taratwphoto!

Tara Todras-Whitehill is a photojournalist, multimedia storyteller and co-founder of Vignette, an innovative storytelling company. She is based in Istanbul and has lived in the Middle East for over 12 years. She documents stories of vulnerable populations, especially women and refugees from the Middle East and Africa. She was a staff photographer with the Associated Press for several years, during which time she documented the 2011 revolutions in Egypt and Libya. She freelances for the NY Times, and has worked with the Washington Post, Buzzfeed and Vanity Fair, among others and is represented by Polaris Images. With Vignette she creates multimedia projects for NGOs such as UNICEF, Amnesty International and the International Rescue Committee. In 2016 she received a World Press Photo award for her work in Sierra Leone with the NY Times, and she has received grants from the European Journalism Centre the IWMF to create global stories about women's access to abortion.

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